Paul D'AmatoTashma, 2007
archival inkjet print
39 x 47 inches
Courtesy of the artist and Stephen Daiter Gallery, Chicago
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Taking its title from Ralph Ellison’s "The Invisible Man," the current exhibition at the Artspace, titled,"Black Is, Black Ain’t," explores a shift in the rhetoric of race from an emphasis on inclusion to a moment where racial identity is being simultaneously rejected and retained. The exhibition brings together works by artists whose work together examines a moment where the cultural production of so-called “blackness” is concurrent with efforts to make race socially and politically irrelevant.
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